Address
Rm 204, 22 Waguangwei E District 2nd St, Humen, Dongguan, Guangdong, China
Work Hours
Monday to Friday: 7AM - 7PM
Weekend: 10AM - 5PM
Address
Rm 204, 22 Waguangwei E District 2nd St, Humen, Dongguan, Guangdong, China
Work Hours
Monday to Friday: 7AM - 7PM
Weekend: 10AM - 5PM
Images may be all fine and dandy on your computer screen, but they can pose problems once they hit an actual garment. Clothing printing manufacturers need to therefore focus on more than simply image reproduction when companies are judging against each other: fabric, garment color, artwork, number of pieces, print location, and time of use.
The choice of a printing method should be based on the garment rather than the design. For example, an intricate graphic designed to print onto perfect smooth cotton may look completely fuzzy due to a nappy textured or rough surface. Stretch fabrics or figures require a different approach so the image prints to stretch and not crack when stretched.
Fabric selection was a consideration since cotton, polyester, cotton blends, and other fabrics all have different reactions to heat, ink, and printing, as well as how color impacts the garment. For example, on a dark cotton hoodie the design may require an opaque foundation underneath, while on a light weight polyester T-shirt a different type of foundation may be appropriate.
Quantity is important as well. Screen printing is generally logical when you are working on larger volumes with simpler designs and it keeps the color count manageable. For high detail graphics on cotton garments, DTG is most effective when higher flexibility is desired on smaller production runs. DTF offers more fabric flexibility for the Customer and is most comfortable providing detail on non-cotton garment types. Sublimation is best suited to the specific polyester apparel that it works with, and it is most effective when printing an all-over design without a dense surface covering.
It is features like the following that do not come through for individual features alone and so the correct option is:
A supplier can go out another shop‘s printing price and create a more expensive order.
Setup requirements, number of colors, artwork complexity, size of print, number of copies to be made and possible rework will affect the final cost. For instance, each color of ink in a design calls for a dedicated screen in silk-screen printing, so a multi-colored design generally takes longer to prepare than one-color logo.
Cuts and scruffs can also turn an inexpensive print into a costly manufacturing nightmare. An unintentional scoot can result in rejected garments. Too dark color can produce mismatched garments. A if not proper can cause customer complaints after washing.
So the buyers should compare the entire production result rather than the printing charge only. A little more unit price could be more acceptable if the supplier can provide the consistent quality, precise location, less wastage and reliable repeat orders.
The first of these sets is an initial point for investigation, a chance to search for the potential relationship between the piece of artwork and the actual item of clothing.
The print should be viewed from all angles, not just the front. Any very thin lines should still be easily readable. The tiny dots should not all meld together. The large blocks of color should still be solidly covered. The feel of the print should be that of the design intended.
Stretch the item if the fabric enables. Rub the printed area with your fingers and see how the artwork behaves. Graphic may very good prior to moving in position but show weaknesses when fabric being stretched.
Placement may require equal attention, especially for a computer print that has been pre-placed in one size, which can move visually from size to size in production if the factory isn‘t meticulous about placement. Graphics on the chest, printed on the sleeves, on the back, and very large artwork all need specific placement references.
When your sample is correct, use this as your physical reference when you‘re going into production later. Pictures are helpful, but an actual sample is going to give the production facility a much more accurate reference of texture, coverage, color, and the final appearance.
This problem introduces another factor the buyer fails to consider and this is dye migration.
It can also heat promote polyester dyes to travel toward the surface of the garment. That movement has a tendency to affect lighter ink, transfers, or graphics, producing undesirable color shift. As can be seen, dark polyester warrants more consideration than just a print method that will work on the material itself.
A supplier should be aware of the impact of garment color, polyester content, heat, ink, adhesive and curing/transfer conditions. A sample may appear to be good immediately after production but this may not give the whole picture.
This is more relevant for sportswear, performance wear, work wear or any product where large amounts of polyester are used. Buyers need to check with the supplier about composition before production and not when the problem of a shade defect is identified in the final products.
You will learn about the appearance of the print on the current day, as well as see how it might wear on a customer with a wash test.
Appearance of cracking, peeling, fading, delamination at the edges, changes in color and appearance of the feel can show up after a few washes. Certain issues will not be apparent until first inspection since the print may look clean and adhered initially.
Test the real garment and its fabric in production. Log the critical production parameters and compare pre-wash and postwash conditions. Focus on critical areas where the fabric is stretched, creased, rubbed against table surfaces or handled frequently.
It becomes critical for those brands selling ordinary T-shirts, hoodyees, workwear, uniforms or sporting apparel, that the finished product is judged by its end-user only after been worn repeatedly, not when it leaves the factory.
Acceptance of a sample is not necessarily indicative of batch production.
Production teams will also require the same artwork, dimensions and positioning of the prints and color expectations and production parameters throughout the order. However the different batches of fabric may also be different looking to the eye as the shade and surface of the fabric may be altered slightly.
Another issue occurs with large orders. Workers can handle hundreds or thousands of pieces and subtle differences in placement would be apparent once customers place the garments side by side.
Good references are the first step in control. For the factory, the approved artwork, the print size, placement gauge, the garment specification and the sample must be available to guide the production. Quality control must also control the problems before the finishing touch of the whole order.
The second order generally reveals more about a supplier than the first order.
You may make a fantastic first run with special care, but be unable to replicate the same in many months. Companies that would eventually like a line need so much more than a one-off sample. Consistency through seasons, colors, sizes and reproduction
Take records of artwork signed off, print size, placement and the fabric specification, measurements for garments and the reference numbers for the sample. The second order that comes into production can have a reference to work with instead of everyones memory to go on.
Brand consistency is most important when the same graphic is on different styles of apparel. People want the logo, artwork and visual identity to be recognizable from one style to the next.
The pre-production discussions will often hint as to how seriously the printing firm take the contract.
An educated supplier will also ask about; garment fabric, color,artwork,print area, amount of garment, and outcome. You might discuss hand feel, stretch, washing, polyester content or color cover.
Compare the difference between a supplier that just accepts the piece, and a supplier that analyzes the whole situation of the production. A seller like the second case generally provide a more helpful information for the buyer before making the decision to order in bulk.
For your own questions, these should center on decisions that will ultimately impact on the final garment. Question the reasoning behind the supplier‘s chosen printing process. Ensure this printing process is suitable for your fabric and garment color. Talk about wash testing, should durability be an issue. Confirm the method the factory uses to control the placement of print, and in the case of repeat orders.
These discussions can head off complications that no price comparison will identify.
No step should be taken in isolation. The choice of fabric, the pattern, the garment construction, the printing, the finishing and the quality control will all have an effect upon the end product.
A badly placed seam can interfere with a print area. Garment shrinkage will alter artwork position. A stretchable garment places extra stress on the print. Washing alters the garment-print relationship.
JiuvelWear is owned by Dongguan Jiuzuo Clothing Co., Ltd. It is integrating design and development of custom garment with fabric sourcing, pattern making, sampling, garment production, printing, and quality control. That wider scope in the production would bring the brands to think of decoration at the same time with garment instead of separate purchase of printing service.
The optimal printing partner doesn‘t merely get the art right the first time. The supplier has to comprehend why a certain approach suits the garment, achieve that identical outcome in large scale, and then recreate it when the label orders anew.
A great sample gives you confidence in the design. A correctly performed wash test gives you confidence in the durability. Stable bulk production gives you confidence in the supplier. Repeat order reliability gives you confidence in the relationship.
For buyers, all that disparity actually is not about the lowest printing bid. That premium is for having the right look, feel, holding, and consistency on the actual job their customers will get.