Address
Rm 204, 22 Waguangwei E District 2nd St, Humen, Dongguan, Guangdong, China
Work Hours
Monday to Friday: 7AM - 7PM
Weekend: 10AM - 5PM
Address
Rm 204, 22 Waguangwei E District 2nd St, Humen, Dongguan, Guangdong, China
Work Hours
Monday to Friday: 7AM - 7PM
Weekend: 10AM - 5PM
A vintage jacket supplier source will have in mind that a “true” vintage jacket is not, necessarily, about “distress” or “fade” there are many other elements that create “time-worn“appeal. The weight and feel of thefabric,wash,fade,fitting,hardware andconstructionmust complement each other to produce a natural semblance of wear.
If you wander into a vintage shop you‘ll be able to tell the authentic from the imitation within seconds. There are jackets which display hues of coloration seldom found on new produce, others have wrinkled textures, edges that look super gently worn, funny fades, minor inconsistencies around the seams.
That character is a sum of all the small details coming together.
You don‘t need a lot of all over heavy distressing for a convincing vintage jacket. Light textural and tone variations that follow the shape of a piece will have a lot more impact.
Jacket fabrics such as denim, cotton twill, canvas, corduroy, etc. each have their own reaction to washing and wearing.
Heavy denim can produce deep marking in higher-movement areas. Cotton canvas can also produce a hardwearing effect with a dry, broken-in hand. Corduroy adds another texture and will give a softer take on the vintage look.
Fabric weight also affects the silhouette. Heavier fabric will give more structure to a jacket, while a lighter weight fabric can provide a softer, more draping silhouette with ease of movement.
Once you have decided what fabric to use the designing process is a lot easier. Selecting fabric beforehand helps guide the design process.
Washing altersthe personality of the jacket but not the design.
A garment wash will make fabric softer and diminish the crispness of the new garment. The wear caused by stone washing could be more extreme, whereas acid washing could generate more of an in-your-face contrast. Enzyming will result in a softer softer wear.
The correct technique will be product dependant.
A denim jacket might have visible fading and abrasion, a cotton work jacket would likely look better with a softer wash and tighter control of color variation.
Natural wear is not usually purely random in its distribution.
The wear on collars, pocket edges, also on the sleeve parts, seams, hems showed various degrees. As those parts are in contact with people or be moved everyday.
The designer can work from this thought when designing the vintage effect.
Slight fading around a pocket can give depth. Worn along a seam can give a jacket an aged feel. Slightly faded the shoulder area can add another dimension.
The placement is significant because a controlled imperfection is sometimes more realistic than a jacket that has undergone equal colour fading everywhere.
Closures such as zippers, buttons, snaps, buckles and other hardware should be considered as well.
Envision a heavily washed denim jacket with /new/ bright metal hardware. This contrast might make the garment appear less authentic.
A darker zipper, an older looking button, or a specific finish well-chosen can be much more in line with the general tendencies.
In thisway. the smallest hardware choices can affect the jacket‘s overall appearance, particularlyif the design is intended to mimic genuine workwear or vintage styles.
You don‘t have to go for an outdated shape when using vintage influences.
Few of today‘s brands often mix washed fabrics and vintage/retro references, along with baggy, boxy, oversize or cropped fits.
An oversized denim jacket can give a classic garment more of a streetwear identity.
A boxy work jacket will feel modern, but still retain that classic feel.
A jacket can look completely different on just by cropping the jacket. With the same fabric and wash the attached jacket has a very different appearance.
The fit should be dictated by the brands customer and collection rather than by an out fashion notion of vintage clothing.
Fading, whiskering, and bleaching, abrasive fades, deterioration of color depth etc., are seen mostly in denim jackets.
Work jackets sometimes have heavier canvas, heavier construction, frayed edges, and a softer facing.
Bomber jackets might require more care with respect to the shell fabric, ribbing, zipper as well as silhouette.
The utility jackets go along a different route, evident from many pockets, functional details, placement of seams, and controlled fading.
Every category has a language of its own, so one generic wash recipe can‘t really do justice to any of them.
Before selecting the provider, question how much can they customize the garment.
How wrong is the reflective strip on a reference jacket? Can they make a wash from a reference jacket?
Could you fit it with a whole other standard pattern?
Is it really possible to work with a wide range of materials?
Are they equipped to work with custom hardware including zippers, buttons, snaps and others?
Can they incorporate the processes of printing, embroidery, washing and distressing?
Can they produce a good batch of copies from the approved sample.
These questions reveal a lot more than a catalog of a supplier‘s products.
A picture can give you the overall look of a jacket, but not tell you everything.
The sample is there so you can feel the weight and fabric, try it on, look at the hardware and see how the wash wears under normal light.
Maybe the sleeves need a little more room.
Perhaps the fading is too aggressive.
The zipper might also require a different finish.
It is much more convenient to do them during pre-production stage.
The heritage jacket may become very powerful as a signature product when the design expresses yourself.
Custom labels, hangtags, embroidery, graphics, patches, hardware, fabric, washes and measurements offer brands greater control over the completed product.
One jacket can also grow wider collection. One really great denim style may have many washes. One favorite work jacket can turn into a seasonal color series. One special oversized fit can carry new graphics or fabric choices.
This flexibility allows brands to create their products based on their own visual language instead of traditional wholesale design,
Price counts, but just quoting a lower price doesn‘t necessarily guarantee a better deal.
Focus on the suppliers’ competence in understanding the entire product.
An effective production associate will understand how fabric responds to wash, how wash responds to color, how color responds to graphic, and how final treatment works with fit and hardware.
Reference jackets, sketches, measurements, art work and technical data can all facilitate communication during development.
Clear samples and verified specifications then make each side more confident in large scale production.
JiuvelWear is a cooperator of clothing companies producing washed, faded, distressed, baggy, retro, vintage-inspired jackets. Dongguan Jiuzuo Clothing Co., Ltd. is a manufacturer of custom clothing development, OEM, ODM, private label, sampling, bulk manufacturing.
You may have an existing jacket, reference photos, technical packs, sketches or just a concept of a product. The working process will then assemble your collection in the fabric, fit, wash, fade, details, hardware, graphics, labels and finishes.
A truly authentic vintage jacket will not be a direct copy of an Old Piece, the stronger route is to borrow elements from vintage clothing and marry it with the fit, functionality and styling language of the modern customer.